Living on the edge of the prairie offers an escape to a place of wonder. Wendell Berry, author and bioregionalist, says, “If you don’t know where you are, you don’t know who you are.”

The largest remaining stand of tallgrass prairie is found in the Flint Hills of Kansas and Oklahoma. The Flint Hills Discovery Center Foundation has created the Maps in the Schools project. The maps will hang in the schools of the Flint Hills showing their particular location and, depending on the grade level, speak to some special aspect of the place, the life, the history and/or the science.

Some (and definitely not all) of the folks working on the project are Emily Connell – Director; Annie Wilson – Project Coordinator and High School Program Educator; Pam Collinge – Middle School Educator; Molly Wold – Elementary Educator; John Dunham – Mapmaker; Laura Zimney – Graphic Designer. If you are interested in knowing more about the project, contact the Flint Hills Discovery Center Map and Education Program.

High School Flint Hills Illustration

The Flint Hills Maps in the Schools, High School Illustration

  • Original Artwork – Oil on Ampersand
  • 31” x 17.25” illustration
  • Copyright by The Flint Hills Discovery Center Foundation
    and Nancy Lehenbauer Marshall
Flint Hills Maps in the Schools, High School

The Flint Hills Maps in the Schools, High School Map

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation
Flint Hills Maps in the Schools Project, Middle School

The Flint Hills Maps in the Schools Project Middle School Illustration

    •  Original Artwork – Oil on Ampersand
    • 31” x 17.25” illustration
    • Copyright by The Flint Hills Discovery Center Foundation
      and Nancy Lehenbauer Marshall

There are over 50 things to identify in this Middle School illustration. An ID chart will be available in the educational materials that accompany the maps.

Flint Hills Maps in the Schools, Middle School Illsutration

The Flint Hills Maps in the Schools, Middle School

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation
Flint Hills Maps in the Schools Project, Elementary Illustration

The Flint Hills Maps in the Schools Project, Elementary Illustration

  •  Original Artwork – Oil on Ampersand
  • 31” x 17.25” illustration
  • Copyright by The Flint Hills Discovery Center Foundation
    and Nancy Lehenbauer Marshall
Flint Hills Maps in the Schools, Elementary

The Flint Hills Maps in the Schools, Elementary

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation

If you would like to support this project, please contact The Flint Hills Discovery Center Foundation.

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Eric and Libby

  • Oil on Ampersand Gessobord
  • 60″ x 30″
  • In a private collection

A celebration of life and love caused this painting to be commissioned. It shows special places, events and people in the lives of this loving and lovely couple. In the rocks at their feet are images of their first meeting as 4 year olds, their wedding, their 20th anniversary and a kiss on a Colorado mountaintop under the full moon. Following the steps up the hill in the painting there are portraits of a large family and meaningful places. A variety of symbols important to the couple are scattered throughout the painting. Behind them are the homes they’ve lived in through their marriage, a setting sun and the full moon.

Glorious Moonflowers

September 17, 2014

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Moonflowers

  • Pastels on Black Paper
  • 25″ x 20″

Moonflowers are a favorite. I planted them around giant Russian sunflowers. The sunflowers heads are now drying, their stalks supporting the vining moonflowers. Transient and fragile, the blossoms develop over several days, appearing as spiraling cones. Unfurling after sunset, the delicately  petaled blossom is supported by the star shaped spine, which is as delicate as the petal. The flowers spread open through the night and, if we’re lucky, for a few hours in the morning.

I started this pastel as a meditative drawing outside, but finished it at my drawing table.