Along the Way

April 9, 2018

Along the Way, April 8, 2018 - Copy

Along the Way

  • 30” x 30”, Oil on Ampersand Gessobord
  • $3500
  • Prints may be ordered. Price depends on size.

    “Along the Way” only exists because this canvas was wounded. A commissioned portrait fell off the easel, denting a corner. The damage reminded me of old treasure maps. Following the idea, I began researching stories (our dearest treasures) from my home area around the Mississippi River and along the way, this painting developed. In the upper left of the panel the Upper Mississippi River Valley is illustrated, including Great Lakes Superior and Michigan. The stories are rooted in the highlighted area of the map. They are the myths, legends, histories, experiences, ideas that came while the painting developed.
    The viewer brings another point of view to the painting.Images include:

  • A flock of migrating Mallard ducks seen from above as they fly over the
    rhythmic patterns found in farm country
  • The unpredictable wind demon, the tornado
  • Red outlined Native American burial mounds found north of Canton, MO
  • A bison overlooks a flooded plain
  • The West Quincy floodplain shows a home, silo and a Spam truck, stories
    from the flood of 1993
  • S.H. Tuley’s steam powered thresher with crew and horses at work
  • Migrating snow geese fly throughout the painting
  • Migrating Monarch butterflies are found throughout the painting
  • Potawatomie Native Americans “Trail of Death” walk from IN to KS in the fall of 1838
  • Sites of toxic industries
  • Hannibal, MO before settlement
  • Fire and prairie with Butterfly Milkweed
  • Mark Twain Lake and portions of the Salt River before it merges with the Mississippi River
  • Samuel Clemens birthplace, a state historical site near Mark Twain Lake
  • Images of slavery. The red (out)lines indicate some current policies that restrict advancement
  • The Picture Cave, on private land, the cave walls are filled with images. It was a sacred place for Native Americans who once lived here
  • The Missouri River cuts across the lower left corner of the map
  • Some crops raised in this region: apple, soybeans, corn, wheat, grapes
  • Rhythmic patterns of cultivated land
  • Trains travel along the waterways, one carrying a future energy source, fins of wind turbines
  • Checkerboard pattern indicating a large city
  • At the top center is an image of Mormons crossing the Mississippi River in the winter of 1838 and 1839 under threat of death from Missouri governor Lilburn Boggs
  • The Copper Trail follows the Mississippi River. Native Americans created beautiful objects from the material
  • Ice Age hills
  • Woolly Mammoth
  • Catfish is eagle’s dinner
  • Birch-bark canoe and me on the water
  • Old ferry boat
  • Tug pushes barges up the river
  • Lincoln-Douglas debate in Quincy, IL
  • Potawatomie blanket, a robe of fine dress, beautifully crafted
  • Soapstone pipe, Native American
  • Mama bear and cub
  • Buck
  • Trail through a sun dappled old-growth forest
  • Coyote howls at the full moon as it rises above the river
  • Native American Stone River Map
  • Rock with a pictograph of a water panther from the Native American tradition
  • Nettle plant with roots
  • Paddle-wheeler ruins buried in the soil
  • Male turkey
  • Native American Mound Village. Cahokia tells a good story about this civilization.
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Mapping my home territory

  • 12” x 24”
  • Acrylic on Ampersand Gessobord, .5” birch cradle
  • $899

Here is a map of the territory I cross often, cruising from Kansas to northeast Missouri and Illinois. Theoretically, I could drop a boat in the Kansas River near me and float across Missouri then up the Mississippi River to my hometown area. Having walked and biked a bit along the Kansas and Missouri Rivers, the option of floating is appealing. But going against the current on the Mississippi River, watching for river traffic and running headlong into floating debris, is a different story. That’s where guides are nice. The Kansas River fortunately has an official Riverkeeper, who protects and teaches about the river. And you can also kayak with them. The organization is called Friends of the Kaw.

A list of places marked on this map painting are:
In Kansas: Lake Perry, Clinton Lake, Lawrence, Oregon Trail, Santa Fe Trail, Kansas City, Kansas River, Leavenworth, Lansing and Atchison.

In Missouri: Canton, LaGrange, Palmyra, West Ely, Hassard, Monroe City, Indian Creek (Swinkey), Moberly, Kansas City, Ft. Osage, Arrow Rock, Boonville, Columbia, Jefferson City, Hermann, Weldon Springs, St. Louis, Clarksville, Louisiana, Hannibal

In Illinois: Quincy. Alton

In Iowa: Keokuk

Mapping the Mississippi

January 17, 2018

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The Mississippi River and floodplain from Saint  Louis north to Iowa

  • 12” x 36”as a triptych or (3) 12” x 12” individual paintings
  • Acrylic on Ampersand Gessobord, .5” birch cradle
  • $450 for an individual painting, $1200 for the triptych

Maps offer an approach for learning about a place. With an exhibit scheduled in Hannibal, Missouri, next summer, I’m studying this mid-western region. This set of three paintings connect the Mississippi River and its floodplain from southeastern Iowa to the confluence of the Missouri River just north of St. Louis. Some area towns are noted.

The Mississippi River near Hannibal

  • 12” x 36”
  • Oil on Ampersand Gessobord, 2” birch cradle
  • $3900
  • Giclée Prints, 10″ x 30″ –  $395++ or custom size can be ordered.

The river town of Hannibal, MO is my birthplace. The spirits of Samuel Clemens and Molly Brown, among others, contribute to the character of Hannibal, which sits nestled among the bluffs of the Mississippi River. It’s a place where stories pique the imagination, soothe, scare and tantalize. Perhaps a reason is the unpredictable rise and fall of the river which creates an uncertainty as to where you might be able to stand tomorrow. The hospital where I was born is now abandoned and boarded up. My old high school is an elementary school. Things change during a lifetime. But the bluffs above the town change in geologic time, letting you know how brief our lives are and at the same time allowing for a sense of timelessness.

The painting blends many images relating to the area’s past and present. Downtown Hannibal sits in a valley at sunset with the iconic lighthouse above the river. A floodgate system now saves part of the town from the ravages of spring floods. I show workmen closing the gates as the water rises. Bison are imagined as having once wandered down the maple forested bluffs in autumn with hills made golden by falling maple leaves. A blackberry thicket grows along a bay inlet where a kayaker can harvest to her heart’s content. A water snake, turtles and catfish rest nearby while the startled frog leaps. A dragonfly hovers above the mud bank and an eagle glides above. The middle panel shows Mark Twain’s statue standing in Riverview Park at sunrise. The right panel shows the channeled, but still wide river, used as a transportation artery; the paddleboat, the barge and faintly, canoes are indicated on the eastern bank. Our culture has chosen to try to control river flooding with levees, locks and dams. Native Americans used mounds as a solution for living with the breathing river. Interpretive centers for the mound cultures can be found throughout the country. Cahokia Mounds is nearby in east St. Louis. The river is an important flyway for migrating birds indicated by the ducks headed up river. A Great Blue Heron flies above fellow birds nesting in trees along the shoreline. A Native American of the Illini tribe gazes at a Monarch butterfly that has landed on his hand. A male Monarch flutters near the blooming butterfly milkweed where a chrysalis hangs. A rabbit hides under a sumac. A couple stands on Lover’s Leap which is painted with artistic license to resemble the Birger figurine, an ancient pipestone sculpture found south near the river.

Living on the edge of the prairie offers an escape to a place of wonder. Wendell Berry, author and bioregionalist, says, “If you don’t know where you are, you don’t know who you are.”

The largest remaining stand of tallgrass prairie is found in the Flint Hills of Kansas and Oklahoma. The Flint Hills Discovery Center Foundation has created the Maps in the Schools project. The maps will hang in the schools of the Flint Hills showing their particular location and, depending on the grade level, speak to some special aspect of the place, the life, the history and/or the science.

Some (and definitely not all) of the folks working on the project are Emily Connell – Director; Annie Wilson – Project Coordinator and High School Program Educator; Pam Collinge – Middle School Educator; Molly Wold – Elementary Educator; John Dunham – Mapmaker; Laura Zimney – Graphic Designer. If you are interested in knowing more about the project, contact the Flint Hills Discovery Center Map and Education Program.

High School Flint Hills Illustration

The Flint Hills Maps in the Schools, High School Illustration

  • Original Artwork – Oil on Ampersand
  • 31” x 17.25” illustration
  • Copyright by The Flint Hills Discovery Center Foundation
    and Nancy Lehenbauer Marshall
Flint Hills Maps in the Schools, High School

The Flint Hills Maps in the Schools, High School Map

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation
Flint Hills Maps in the Schools Project, Middle School

The Flint Hills Maps in the Schools Project Middle School Illustration

    •  Original Artwork – Oil on Ampersand
    • 31” x 17.25” illustration
    • Copyright by The Flint Hills Discovery Center Foundation
      and Nancy Lehenbauer Marshall

There are over 50 things to identify in this Middle School illustration. An ID chart will be available in the educational materials that accompany the maps.

Flint Hills Maps in the Schools, Middle School Illsutration

The Flint Hills Maps in the Schools, Middle School

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation
Flint Hills Maps in the Schools Project, Elementary Illustration

The Flint Hills Maps in the Schools Project, Elementary Illustration

  •  Original Artwork – Oil on Ampersand
  • 31” x 17.25” illustration
  • Copyright by The Flint Hills Discovery Center Foundation
    and Nancy Lehenbauer Marshall
Flint Hills Maps in the Schools, Elementary

The Flint Hills Maps in the Schools, Elementary

  • Print on Paper
  • 31” x 17.25” illustration size on a 48” x 48” map
  • Copyright by The Flint Hills Discovery Center Foundation

If you would like to support this project, please contact The Flint Hills Discovery Center Foundation.

Miles, 1 year

March 1, 2016

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Miles, one year

  • Oil on Ampersand Gessobord
  • 16″ x 12″
  • In a private collection

At one year, Miles’ smile is shy, sly, bashful, endearing, precious and encouraging. He juggles the earth, moon and sun, surrounded by our planet and deep space. A small figure of Miles floats in space tethered to his rocket ship near an asteroid mining operation. Mars, Saturn, Jupiter and multiple asteroids can be found. Animals in the painting are moose, bison, fox, deer, rabbit and bottle-nose dolphins. Besides space there are a northern landscape, wetlands, prairie, ocean with schools of fish and an underground den. Prairie flowers include butterfly milkweed, blazing star and echinacea.The birds are the sandhill crane and red-headed woodpecker. Trees are birch and black cherry. Bugs are the earthworm and the pollinating bee.
Two of my many wishes for Miles is that he enjoys learning and sharing that joy.
The varied perspectives of this portrait were inspired by MC Escher’s “Other World”.

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Eric and Libby

  • Oil on Ampersand Gessobord
  • 60″ x 30″
  • In a private collection

A celebration of life and love caused this painting to be commissioned. It shows special places, events and people in the lives of this loving and lovely couple. In the rocks at their feet are images of their first meeting as 4 year olds, their wedding, their 20th anniversary and a kiss on a Colorado mountaintop under the full moon. Following the steps up the hill in the painting there are portraits of a large family and meaningful places. A variety of symbols important to the couple are scattered throughout the painting. Behind them are the homes they’ve lived in through their marriage, a setting sun and the full moon.

Marines in a blasted forest

Marines in a blasted forest

  • Oil on Ampersand Gessobord
  • 11″ x 14″
  • In a private collection

This painting and another painting titled “Vietnam Warriors” have me thinking about war and the hell that it is. Here sit four youths in a bomb crater surrounded by a splintered forest during a day of fighting. Despite the devastation,  Carl Bennett found beauty in the place expressed in this  poem, “Vietnamese Morning”.

VIETNAMESE MORNING
Before war starts
In early morning
The land is breath taking.
The low, blazing, ruby sun
Melts the night-shadow pools
Creating an ethereal appearance.
Each miniature house and tree
Sprouts its, long, thin shadow
Stretching long on dewy ground.
The countryside is panoramic maze,
Jungle, hamlets, hills and waterways,
Bomb-craters, paddies, broken-backed bridges.
Rice fields glow sky-sheens,
Flat, calm, mirrored lakes
Reflect the morning peace.
The patchwork quilted earth,
Slashed by snaking tree-lines,
Slumbers in dawn’s blue light.
Sharp, rugged mountain peaks
Sleep  in a soft rolling blanket
Of clinging, slippery, misty fog.
Effortlessly, languidly, it flows
Shyly spreading wispy tentacles out
To embrace the earth with velvet arms.

Decision makers in our government were not satisfied with destroying land and people one bomb at a time, but resorted to the defoliating herbicide, Agent Orange. Their poor judgment destroyed the lives of the local folks, soldiers and the place.  In “Young Men” Curt Bennett writes about being a Vietnam soldier:

YOUNG MEN
In quiet dignity they trudge
With only the slurping sounds
Of jungle boots sucking mud
As they carry their burden
Of expendable youth at war.
There is a poise about them,
A quality not found in peers,
A bearing common only
To young men in combat.
There is a stoic resignation,
A façade of wary acceptance,
A weariness in their movements
As they slowly walk the war.
Struggling with all its elements,
And inside, struggling with themselves,
For just below the surface,
They keep the well-known secret,
The haunting cowardice common to all.
Twenty-four hours a day they walk the line,
Living up to the reputation,
Assuming the swagger, the hard line,
Their casual indifference to death
That masks that deep seeded fear of dying,
The overwhelming urge to break and run,
The paralyzing instinct to freeze or hide!
Praying silently in secret
That whatever happens they won’t look bad.
And that is why they are at war,
Where they would rather be
Then face the shame of not going,
Of being accused of not having “it”,
To uphold that fragile concept of honor,
With their reputations on the line.
And they proudly carry their reputations,
For that is all that remains of their dignity,
Even if it means they must die for it.
GOOD MORNING

They shuffled down in noiseless file,
Gaunt apparitions whose hollow eyes
Stare blankly out from sunken sockets,
Whose swollen tongues crack scaled lips,
Scab sores ooze pus and swarming flies,
Through dirty, soiled flak jackets.
Assholes flame dysentery, brown fluid trickles
The crouchless trousers where jungle rot
Reddens, chafes and burns with each step.
Ripped jungle boots ring-bleached salt-sweat
Through rotting socks encasing fungus feet
They endlessly plod, gray ghosts of dawn.
Silently they pass, eternal warriors
Towards their unknown, to their death and hell.
Whispering shadows blending with the foggy light
In the ancient ritual of men marching to battle,
Quietly they slide away merging in the bush,
Disappearing into the mist of time.
Copyright, Curt Bennett

Today, many leaders in the US government have forsaken statesmanship for being party politicians, acting on behalf of the party funders rather than to the benefit of the citizenry, the land, the water, the earth as a whole. The big picture which includes the interrelationship of earth’s species and systems is ignored. So we must do what we can, consume less, recycle, grow a garden, plant a tree, study the night sky, breathe deeply, make friends, make peace in our time.

Charlie

April 8, 2013

Charlie

Charlie

  • Oil on Masonite (Ampersand)
  • 36″ x 12″

Charlie is independent, resourceful and skilled. He planted an orchard, including the American Plum, and raises his own food from seeds he has saved. He is a forester, a sawyer, a builder and a fine woodworker. He is a collector of interesting things and a vivid storyteller with a sense of humor. He shares his gifts with those he loves. Charlie is a fine man.

Note: Charlie died in his home late in 2013; a home he built, filled with the furniture he masterfully made. I was lucky to meet this man.

Olivia, one year

December 29, 2012

Image

Olivia, one year

  • Oil on Ampersand Gessobord (masonite)
  • 16″ x 12″
  • In a private collection

When I paint a portrait of a child, I not only present their likeness, but offer a window to the world of which they are a part. My work is about symbols and I’m a believer in their power. If the symbols in the painting help to give rise to Liv’s curiosity in life, I’m a happy artist.